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Month: July 2021

The “aw shucks, us too” taxation policy now adopted by the ALP strains beyond breaking point any reasonable definition of “alternative government”…or “Opposition”…or “Labor”…or “progressive”. Alas, many fewer words than those in this verbose header are more than enough to say everything that needs to be said about it…

…as Jon Kudelka has demonstrated in today’s edition of The Saturday Paper:

 

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Carnaby’s streets

 

Our planet has just two white-tailed black cockatoo species.

Both are endangered, and their only “home” is in southwest Western Australia.

My beloved and I live within a very few minutes flying time of the centre of this region’s one metropolis.

For some months of every year, we see and hear one of those two species almost every day – on most days, more than once.

All photos were taken in Blencowe St, West Leederville

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Word power: Kathryn Schulz on “the Misanthropocene”

 

 

Kathryn Schulz’s superb essay is called What Do We Hope to Find When We Look for a Snow Leopard?

Although not primarily about snow leopards, it particularly refers to a 1978 “classic” – Peter Matthiessen’s The Snow Leopard – and to a recently-published book by a Parisian who also pursued an ardent desire to encounter a snow leopard, on “the roof of the world”.

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Word power: “the Billy Joel of Australian politics”

 

Did I stumble upon his/their avatar in a Tibetan Plateau marketplace?

Peter Lewis’s essay is an amusing and perceptive look at “Scotty”and Billy, as fellow “masters of pastiche”.

Morrison doesn’t even pretend to try to build his own coherent body of work. It’s not that he can’t come up with a tune. Far from it, there is a ditty for every occasion. It’s just that it’s not leading us anywhere.

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Revelatory covers (#20 in series): “I’ll Be Seeing You”, sans words, but really singing…

Arguably the quintessential nostalgic song, I’ll Be Seeing You was composed in 1938. (music by Sammy Fain, words by Irving Kahal)

That year it was inserted into a Broadway musical…which flopped.

The song, however, became a “standard”, covered by countless singers…and not a few instrumentalists.

It was a #1 hit for Bing Crosby in 1944.

Frank Sinatra recorded it more than once.

Even Eric Clapton did so, in 2016.

The most celebrated recording – Billie Holiday’s 1944 version – is the one which reached Mars in 2018, as the conclusion to NASA’s final transmission to its Explorer rover.

However, the most “out of this world” version to reach this Earthling’s ears is a “live” and exploratory instrumental trio treatment, delivered in “the city of fallen angels”, in June 2016.

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