Natural splendour, real musics, wines, wordpower
Following its completion in 1673, Lahore’s Badshahi Mosque remained the world’s biggest mosque/masjid for nearly three centuries.
Size-wise, it is now #3 in Pakistan.
Globally, it sits at the lower end of the “top 20”, or has recently lost that status.
Aesthetically, however, Badshahi Mosque is forever unlikely to have more than a very few peers.
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The featured image (immediately above) was taken at 3.47 pm on 12 May 2024; the main building was behind me, as I looked east-ish, across part of Badshahi Mosque’s courtyard.
That paved courtyard’s 25,600 square metres account for most of the mosque’s “footprint”.
Lahore Fort and Badshahi Mosque are almost adjacent.
Their main gates face each other, respectively, from the eastern and western sides of the Hazuri Bagh – a formerly-“royal” garden which is now a well-loved “public” space.
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You are looking at Pakistan’s most “emblematic” building.
At the time of its astonishingly swift construction, Lahore’s Badshahi Mosque (“Badshahi Masjid”, to locals) was the world’s largest mosque/masjid.
Construction began in 1671.
It opened two years later.
342 years on, the Mughal Empire’s final large-scale architectural marvel still inspires awe.
Its main building – pictured above – is the key visual presence on every Pakistan 500 rupee banknote.
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Lahore Fort’s Sheesh Mahal and Agra’s Taj Mahal were both commissioned by the same Mughal emperor.
Each expressed – mostly, in white marble – his abiding love for his favourite wife.
Shah Jahan (1592-1666) had three wives, but only one marriage was a “love match”.
He renamed his beloved, “Mumtaz Mahal” – “the exalted one of the palace”.
Allegedly, Mumtaz Mahal had a dream/vision of heaven; the Sheesh Mahal was her husband’s attempt to make that dream “real”.
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The highly elaborate “mirror work” decorations on its walls and ceilings are the signature feature of the Sheesh Mahal.
Much less “showy”, but at least as beautiful, are the carved marble screens on its northern side.
As well as being lovely to look at – and to look through – these screens are very “practical”.
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Popularly known as “the palace of mirrors”, the Sheesh Mahal is the most opulent of Lahore Fort’s “notable monuments”.
It sits directly above the summer palace, in Lahore Fort’s northwestern corner.
The Sheesh Mahal’s glittering splendour is only visible from within what was originally a very “restricted” section of Lahore Fort.
This ornate pavilion/palace was constructed in the 17th century CE, for the exclusive use/pleasure of the imperial family. (plus their invited guests and closest aides)
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The featured image (above) was taken at 2.51 pm on 18 August 2025, near Beedelup Falls, in southwestern Western Australia’s “Karri country”.
Although not a very fine photo, it does show some very unusual behaviour.
”Flaunting it” is something to which any male member of the genus Malurus – the eleven Australian species generally known as “fairywrens” – devotes a deal of his life.
Generally, however, these “show-offs” are very wary; as soon as a flaunting fairywren senses a human’s presence, he “disappears”.
Q: So why was the pictured individual right out in the open, on a sealed roadway’s surface, and utterly unalarmed by my very obvious, very close presence?
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At 3pm on 12 May 2024 we were “upstairs”, in very bright sunshine, making our way to the Sheesh Mahal.
If the “selfie index” is any guide, this “palace of mirrors” is 21st century tourists’ favourite of the 21 “notable monuments” within Lahore Fort.
We’ll reach it in this series’ next (selfie-less) chapter.
Meanwhile, take a close look at the various structures visible in this chapter’s featured image…
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Both of the pictured decorations have been restored, recently.
Nothing more needs to be said.
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As “The New York Times” once opined:
Her ballad performances are simply beyond the emotional and expressive capabilities of most other vocalists.
Among the many “notable” jazz vocalists I have experienced “live” and/or have actually met (I interviewed her when she first toured Australia, and saw her here on two other occasions) Sheila Jordan was certainly the most remarkable, musically.
I strongly suspect that she was also the most remarkable and admirable, personally.
Aged 96, whilst listening to music, and in the presence of her daughter, and friends, Sheila Jordan died this week at her home in Manhattan.
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