Natural splendour, real musics, wines, wordpower
Did I stumble upon his/their avatar in a Tibetan Plateau marketplace?
Peter Lewis’s essay is an amusing and perceptive look at “Scotty”and Billy, as fellow “masters of pastiche”.
Morrison doesn’t even pretend to try to build his own coherent body of work. It’s not that he can’t come up with a tune. Far from it, there is a ditty for every occasion. It’s just that it’s not leading us anywhere.
Comments closedArguably the quintessential nostalgic song, I’ll Be Seeing You was composed in 1938. (music by Sammy Fain, words by Irving Kahal)
That year it was inserted into a Broadway musical…which flopped.
The song, however, became a “standard”, covered by countless singers…and not a few instrumentalists.
It was a #1 hit for Bing Crosby in 1944.
Frank Sinatra recorded it more than once.
Even Eric Clapton did so, in 2016.
The most celebrated recording – Billie Holiday’s 1944 version – is the one which reached Mars in 2018, as the conclusion to NASA’s final transmission to its Explorer rover.
However, the most “out of this world” version to reach this Earthling’s ears is a “live” and exploratory instrumental trio treatment, delivered in “the city of fallen angels”, in June 2016.
Comments closed…as chosen by other famous musos.
In most cases, the article will take you directly to Dylan’s performance of the relevant song.
Would Mick Jagger make an interesting choice?
What about Gillian Welch, Tom Jones, Marianne Faithful, Billy Bragg or Judy Collins?
Would some/none/all have anything interesting to say about his or her choice?
One Comment(four times, if you are new to Bob Dylan’s not-altogether-original “original”)
Look out your window and I’ll be gone
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Not all deciduous trees have home addresses in cool temperate parts of the Northern Hemisphere.
This one’s home is in a very particular part of tropical Australia.
This individual is circa 750 years old, weighs 36 tonnes, and is thriving in a place with quite the “wrong” climate, 3200 kilometres from home.
Even more amazingly, to get “here” it survived uprooting, followed by almost certainly the longest road trip ever undertaken by a large, living tree.
One Comment(the “metaphorical” featured image shows climbers on what many believe to be the world’s tallest sheer rock-face…it isn’t)
This very poignant song was written a quarter of a century ago.
Its co-authors, separately, have recorded it, but the most celebrated version is a “cover”, issued 20 years ago.
None of those recordings quite “nailed” it, I think.
As of February 21, 2021, there is a “definitive” version, performed “live”…
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In the USA, it is currently “yesterday”, Tuesday, 11 May, 2021.
I hope that Carla Bley is enjoying a very happy birthday with her beloved, Steve Swallow.
For rather more than my entire adult life, Carla Bley has composed, arranged and played singular music, variously – sometimes, simultaneously – provocative, surprising, very amusing, satirical, sublimely lyrical, complex, seemingly-simple…
Her three most recent releases – all, new trio recordings of new music, made between 2013 and 2019 – are some of her finest, ever.
Comments closedIf the almost-titlepiece of Rhiannon Giddens’ new album were new to your ears, you would probably assume it was a venerable “traditional” song, probably from Appalachia.
Listeners who already knew many traditional Appalachian songs would likely be mightily surprised that they could have hitherto missed such a superb, particularly haunting one.
In fact, Calling Me Home was authored by Alice Gerard; it was titlepiece of her 2002 album, issued in the year of her 68th birthday. (An even better album is Follow the Music, which Alice Gerrard recorded – mostly “live” – in her 80th year)
Comments closedNo sign yet of COVID:The Musical, but “the virus” has now yielded a superbly crafted song.
The context is British, but its precise skewering of the gap between self-congratulory “patriotic” government twaddle-speak and the pandemic’s reality rings true across most of “our” world.
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