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Category: ‘non-western’ musics, aka ‘world music’

Non-falling leaves, in a different autumn (#29 in “a shining moment” series)

If the tree in question were a deciduous, Northern Hemisphere species, its autumn leaves would be the “right” colour, but otherwise all “wrong”.

These autumn leaves are young and growing, not old and preparing to fall.

They will soon change colour – from red to green, not vice versa.

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“Upside down” trees (#28 in “a shining moment” series)

 

The “skin” of almost any tree will reward your close attention.

There are just nine recognised species in the genus Andansonia the baobabs.

One is Australian.

Two live in Africa and the Arabian Peninsula.

The other six – this one included – are Madagascan, only.

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Music review: Three Cane Whale & Daniel Herskedal

You could describe the British trio’s music as “chamber-folk”, the Norwegian tuba virtuoso’s as “chamber-jazz”.

I am wary of hyphenated “chamber” musics; recordings so-described oft prove anaemic, twee, wannabe.

No such problem here:  two very different ensembles have each created something singular, beautiful, with spine.

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Music review: Iris Dement, Elina Duni

Over the last year no “female vocal” albums have moved me more deeply. In their different ways, each defies description, and is a very “unlikely” success. Respectively, they were recorded in the singer’s living room in Iowa, and in a studio in south-east France. Iris Dement interprets Russian poetry, in a manner no one else would ever have attempted… or imagined.  Elina Duni addresses poetry and traditional song from her birthplace, Albania…with three brilliant Swiss jazzmen.

 

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